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Le opere del Maestro Matsuyama creano un rifugio e una vibrazione, migliorano la qualità dell’ufficio energeticamente e aprono lo spazio a condivisione e creatività. La mostra è un connubio tra arte e spazio lavorativo. In giapponese il termine Shin-on racchiude 16 significati diversi: On significa infatti suono, Shin indica le diverse qualità del suono. Si tratta in effetti dell'espressione delle vibrazioni e dell'energia interna dell'autore e delle sue opere, forse la vera espressione del suo spirito". "Sin dall'inizio, quando ho dovuto spiegare il significato di Shin-on - scrive Matsuyama- ho sempre detto che e' una sorta di grido del cuore, un'espressione in sintonia con il se’. Like in front of a mirror, he/she can recognize it every time he/she stops to look at it, aware of a friendly presence that offers support in everyday life. Master Matsuyama has the ability to translate emotions, moments, and needs into art, creating unique works that, in a way, heal and nourish the soul of the observer. Some works are the result of listening and talking to the client. Colours and raw material come together, moving the heart to deep listening. This is an opportunity to linger in front of works whose vibrancy and warmth can be felt. Master Matsuyama's works create a refuge and vibration, enhance the quality of the office energetically and open up the space for sharing and creativity. The exhibition is a combination of art and work space. " Shin-on is the sound of all things, the sound that is both the origin and the representation in time of all things." The gaze invites the mind to discover them, to wander through them like a landscape. Thus they engage us and force the gaze to activate them with all our senses.
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![un vernissage un vernissage](http://www.genevievenaudin.com/wordpress/wp-content/uploads/2016/11/Jean-Pierre-Brevet-Vernissage-Galerie-du-Liseron-6597.jpg)
In their silence, Matsuyama’s pictures present themselves as scores to be read, to be brought to life. The echo of his paintings reminds us of our internal and individual resonance. The surfaces of his pictures, uneven and rich in materials, can be seen as a score to be read inwardly. It establishes a subtle relationship between the visual and the acoustic in which one refers to and inevitably suggests the other. The theme of the Shin-on in Matsuyama is of this nature. The Japanese’s artist’s premise is that everything is Shin-on, sound, and his painting becomes the visible materialization of this idea. Starting from the philosophical intuition, Matsuyama paints the Shin-on, or the sound of things, the music that originates and express them. Matsuyama’s work is inspired by the theories of Kandinsky as “color is an inner sound” but also reveals a deep connection with the expressive modalities of oriental culture. Un conseil pour les adeptes de Seche Vite : soyez patientes quand vous faites un nail art matte/crème et laissez sécher votre vernis complètement.“From the onset, whenever I had to explain the meaning of Shin-On, I have always said that it is a sort of cry from the heart, an expression in tune with the self.” Je m'excuse d'avance pour les photos floues qui ne permettent pas de bien voir la différence de textures. Pour innover, j'ai choisi de faire une base matte avec un stamping crème, sans top coat. nail art élaboré avec une finition matifiée simple nail art mat vs brillant (dotticure, french, stamping, etc.)Ģ. J'ai cherché à m'inspirer sur Pinterest où j'ai remarqué deux tendances:ġ. J'ai essayé de stamper avec Essie Matte About You et ça été la cata. Pour moi, une top coat matte n'a qu'une seule fonction: matifier le vernis sur lequel elle est appliquée. Depuis la sortie des vernis/top coats "effet mat", j'ai eu du mal à les utiliser de manière créative.